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The paper examines the psychological phenomenon referred to by Yuri Trifonov as “недочувствие” (insensitivity). The absence or loss of feelings (emotions) as a result of identity crisis is typical for Y. Trifonov’s protagonists. Their ability to reflect retrospectively on this quality is analyzed as a plot-factor.
It is shown that the reflection leaning on keywords and keynotes allows to connect the separate moments of the biography in a difficult and multifaceted image of the world. From endured impressions of people and events, the author builds a peculiar chronicle of consciousness.
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