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The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the constitutive features of the theoretical fiction genre; and secondly, these features are interpretatively confirmed through the novel Papokot na svetot (Navel of the World) by the Macedonian writer, Venko...
Europe looked with the eyes of the Macedonian writer. Macedonian writer looked at the eyes of Europe In this text the emphasis is put on the topic of the individual and transtemporal identity phenomen of Macedonian writer in European point of view and also of European imagology picture in the eyes of Macedonian writer. In that case, the paper explores the specific forms of irony and humour in the...
In this text the emphasis is put on the topic of the individual and transtemporal identity phenomen of Macedonian writer in European point of view and also of Eu- ropean imagology picture in the eyes of Macedonian writer. In that case, the paper explores the specific forms of irony and humour in the postmodern novel “Hidden camera” by Macedonian writer Lidija Dimkovska, originally published in Macedonia...
The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the constitutive features of the theoretical fiction genre; and secondly, these features are interpretatively confirmed through the novel Papokot na svetot (Navel of the World) by the Macedonian writer,...
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