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Cet article se propose de tracer l’image de la ville de Bruges, telle qu’elle se présente dans les deux romans de l’écrivain belge Georges Rodenbach Bruges-la-Morte (1892) et Le Carillonneur (1897). En revêtant l’aspect d’un personnage principal à part entière, la ville de Bruges participe aux parcours mnémoniques des deux protagonistes, le veuf Hugues Viane et le jeune architecte Joris Borluut, qui...
This paper discusses a man’s obsession with the memories of his dead wife as represented in Georges Rodenbach’s novel Bruges‐la‐Morte. More precisely, Rodenbach draws a haunting picture of the woman’s hair, which is personified and acquires the dimension of a full‐fledged character in the novel. The Belgian author places Hugues Viane dead wife’s hair at the center of his particular vision of fictional...
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